大城カズ 「Untitled Recordings」
ギャラリーに入って遠目からだと一見Fenderのアンプなのだが、近づくとキャンパスを造形した立体的な絵画の作品でビックリした。他にはゼロハリバートンもあった。
Oshiro’s works are full of paradoxes. Although his motifs (ex. washing machines / garbage cans / amplifiers etc.) are objects which portray a scene full of sound, complete silence lies under the surfaces of his art works. The amplifiers that usually play music, are not only silent, but also have a substantial difference in its weight. In addition, the stains and fades, along with markings done by spray paint portrayed through his works, indicate the progression of time with its supposed owner, though it is soon to be found that everything seen is an imitation, and a fact which has been fabricated.